Exploration of the Historical and Cultural Aspects of “Yuanchangbu” in Chinese Classical Dance

Authors

  • Xiang Xu New York University

DOI:

https://doi.org/10.18034/ajhal.v4i2.322

Keywords:

Classical dance, foot binding, Yuanchangbu

Abstract

The main purpose of this paper is to explore and analyze the unknown Chinese emotions hidden behind the movement “Yuanchangbu,” and to find out the meaning behind it from a cultural and historical viewpoint. We will rediscover some of the silences in history and restore the psychology, emotion and movement of Chinese classical dance. Therefore, this paper will, firstly, set “Yuanchangbu” as a clue through which to explore how the movement in daily life developed into the movement of Chinese classical dance.

Furthermore, due to the impact of ancient Chinese foot binding culture on the formation of “Yuanchangbu”, this paper, based on research of the movement, will also explore the era of foot binding. We will understand the changing progress of Chinese men and women’s lifestyle from the era of the natural-foot to foot binding. And at this moment trigger further thought on the culture and style of Chinese traditional dance by the “foot-binding culture.”

 

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Author Biography

  • Xiang Xu, New York University

    Dance Department, Tisch School of the Arts, New York University, New York City 11106, USA

References

Books

CaiLihong, Research on dance and song in Ming Dynasty, (The Straits Literature and Art Press, 2007)

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Journals

Deng Rubing, ‘Changes in Women's Dress in the Late Qing: Women's Body and the State and the Fashion——Starting from Unbinding the Feet’, (2006) 5 Collection of Women’s Studies

GaoQian, Li Yajuan, ‘Discussion on the living status of Chinese women in Neo Confucianism culture – take the foot culture as an example’ (2009) 11 Anhui Literature

Liu Jianbo, ‘A study to the woman features in the literature of Dynasties pre-Qin, Qin and Han under the visual angle of feminism’, (PhD thesis, Shandong University 2008)

Liu Qingyi, ‘The basic scope and concept of Chinese classic dance’, (2006) 2 Journal of Beijing Dance Academy

Ma Fuqiang, ‘Discussion on the new Chinese classic dance’s spirit in dances in the Han and Tang Dynasties’, (2008) 2 Forum of Arts

Ma Xiao, ‘Research on the differences and similarities between Chinese classic dance and Chinese opera’, (2009) 8 Journal of Chifeng University (Philosophy and Social Science)

Mo Li, ‘Research on female political consciousness of the Taiping Heavenly Kingdom’, (2011) 2 Innovation

QueHanxiang, ‘Discussion on foot-binding’, (1996) 4 Social Work

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Sun Ying, Zhou Zhiqiang, ‘Sun Ying’s dance: the silent aesthetics revolution—dialogue between Sun Ying and Zhou Zhiqiang’, (2005) 4 Journal of Beijing Dance Academy

Wang Haitao, ‘Analysis on Sun Ying’s artistic value ’, (2010) S1 Journal of Southeast University (Philosophy and Social Science)

Wang Rui, ‘Discussion of the training value of the step form in classic dance in the Han and Tang Dynasties’, (2011) 5 Journal of Guangdong Polytechnic Normal University

Wang Shaohua, ‘The Source and Evolution of the Phrase GuoZu’ (2002) 2 Journal of East China Normal University (Philosophy and Social Sciences)

Wang Yingze, ‘Women who did not bound feet in Ming and Qing Dynasties’, (2003) 1 Westleacher

Wei Tianhui, ‘Exploration on the reason why women in the Ming Dynasty had low social status’, (2009) 4 Lanzhou Academic Journal

Xiang Yunju, ‘The painful history on body and its cultural critics --- new theory on Feng Jincai’s Lotus Feet’ (2010) 17 Argument on Art and Literature

Xiao Yu, ‘Sun Ying’s viewpoint of national dance’, (2000) 4 Journal of Beijing Dance Academy

Yang Juyuan, ‘Research on foot-binding’, (2003) 2 Chunqiu Birmonthly

Yu Jizeng, ‘The rise and decline of foot-binding of woman’, (2006) 3 Root Exploration

Zhang Beibei, ‘The study of Han Chinese clothing in the Song Dynasty’, (PhD thesis, Suzhou University 2010)

Zhou Leshi, ‘Female Imagination in the Novels of Late Qing Dynasty (1902-1911)’,(PhD thesis, Shanghai University 2010)

Zhu Lingyan, ‘Anscramble Foot-binding as Aesthetics Culture’, (Master thesis, Zhejiang University 2007)

Zhu Shengqin, ‘Modern Chinese discuss about women anti bound feet movement’, (2010) 12 Legend Biography Literary Journal Selection

ZouXiaoyan, ‘Differences between Chinese and Western dance—discussion by comparing Tai Chi map and The Cross’, (2006) 4 Journal of Inner Mongolia Agricultural University (Social Science Edition)

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Published

2017-12-31

Issue

Section

Peer-reviewed Article

How to Cite

Xu, X. . (2017). Exploration of the Historical and Cultural Aspects of “Yuanchangbu” in Chinese Classical Dance. Asian Journal of Humanity, Art and Literature, 4(2), 109-116. https://doi.org/10.18034/ajhal.v4i2.322