Spatial Narrative of Women as “Production of Space” in Charulatha
DOI:
https://doi.org/10.18034/ajhal.v6i1.344Keywords:
Women, Narrative, Space, CharulathaAbstract
Films are one of the most influential cultural and creative discourses of the modern era as they reflect the socio-political and cultural norms of the society. The film has the potential to effect social change and open a new insight and experience to the human life. The relationships between women and space have now been recognized as an important issue for feminist discussion. In this study, production of space is mediated by the everyday life of women and their mediated relations of women's space. Here the spatiality and practices are not complicated it mean the spatial location, spatial relations and the spatial accessibility of women. Further it seeks the knowledge production of this particular spatial practice. This study centered with Satyajit Ray film Charulatha.
Metrics
Downloads
References
Ardener, S. (1981). Women abs Space: Ground Ruler and Social Maps, London, CroonHelm.
Brenner, N., Jessop, B., Jones, M., & Macleod, G. (Eds.). (2008). State/space: a reader. Germany: Black well Publisher John Wiley & Sons.
Deshpande, A. (2009). Class Power and Consciousness in Indian Cinema and Television, Delhi: Primas Book.
Foucault, M. (1984). Of Other Space; Utopias and Heterotopias, Trans. Miskowiec.J. (1967). Architecture /Movement. Retrived from.http://web.mit.edu/allanmc/www/foucault1.pdf
Ghosh, B. (1992). Satyajit Ray’s Devi: Constructing a Third- World Feminist Critique, Screen, 33:2, pp162-173.
Gosh. B, (1992). Satyjith Ray’s Devi; Constructing a Third – World Feminist Critique, Sreen, 32; 2, Summur DOI: https://doi.org/10.1093/screen/33.2.165
Gupta, K.R. (2009). Gender Problems and Policies, India: Atlantic Publisher
Kaplan, E. Ann. (1998). Women in Film Noir. London: British Film Institute.
Kostantarakos, M. (2000). Space in European Cinema: London. Intellect books.
Lefebvre, H. (1991). Production of space. (Smith. Trans.). Australia: Blackwell.
Menon, B. (2010). Malayalam Middle Cinema and Category of Woman (Pillai, T.M, Eds.). India, Orient Back Swam.
Nanda. M, (2002). Symbolism and Space in Aparna Sen’s Paroma and deepa Mehta’s Fire, (Ed. Jain & Rai). Rawat Publication: New Delhi.
Rendell, J., Penner, B., & Borden, I. (Eds.). (2000). Gender space architecture, an interdisciplinary introduction. London, England: Routledge.
Shiel, M. (2008). Cinema and the history city and in theory Cinema and the city in History and Theory, France: Widely Online Library. Retrieved from: http://www.blackwellpublishing.com/
Vasudeve (2006) Apu and After: Revisiting Ray’s Cinema (Ed) Biswas. Nationhood Authenticity and Realism in Indian Cinema: The double Take Modernism in Ray.Calcatta: Seagull Books.
--0--
