Representation of History in Chimamanda Ngozi Adichie’s Half of a Yellow Sun (2006

Authors

  • Roshan K. Morve Central University of Gujarat

DOI:

https://doi.org/10.18034/ajhal.v2i1.291

Keywords:

Nigeria, post-colonial, Biafran war

Abstract

This study deals with the conflict of Nigerian Biafran War 6 July, 1960-15 January, 1967 as represented in Chimamanda Ngozi Adichie’s novel Half of a Yellow Sun (2006). The study attempts to address the following four questions: first, what are the causes-effects of Biafran/Civil war? Second, why Nigerians have been suffering during the wartime? Third, how does the representation of Nigerian history enable understanding of the post-colonial issues? And final, what is the role of conflict in Nigerian history? In order to understand this conflict, the study addresses the detailed analysis of war conflict, ethnic conflict, class conflict, military conflict and eco-political conflict. The post-colonial approach becomes one of the ways of engaging the theoretical understanding of the novel Half of a Yellow Sun. In sum up, the novel is located with the issues of marginality, history and conflict, which interrogates through post-colonial theoretical formations and the six-phase structure of war novels.

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Author Biography

  • Roshan K. Morve , Central University of Gujarat

    Ph.D. Research Scholar, Center for Comparative Literature and Translation Studies, School of Language, Literature and Culture Studies, Central University of Gujarat, India

References

Achebe, Chinua. Things Fall Apart. 1958. New York: Astor Honor, 1959. Print.

Adichie, Chimamanda Ngozi. Half of a Yellow Sun. London: Harper Perennial, 2006. Print.

Asaah, Augustine H. “Images of Rape in African Fiction: Between the Assumed Fatality of Violence and the Cry for Justice.” Annales Aequatori 28 (2007): 333-355. Honore Vinck. Web. 2 November, 2013. 01:49. <http://www.jstor.org/stable/25836912>.

Barber, Karin. Reading in African Popular Culture. London: African Institute School of Oriented and African Studies, 1997. Print.

Hall, Stuart, and P. Du Gay, eds. Questions of Cultural Identity. London: Sage, 1996. Print.

Hawley, John. C. “Biafra as Heritage and Symbol: Adichie, Mbachu, and Iweala.” Research in African Literatures 39.2 (Summer, 2008): 15-26. Indiana University Press. Web. 10 August, 2013. 06: 18. <http://www.muse.jhu.edu/journals/ral/summary/v039/39.2hawley.html>. DOI: https://doi.org/10.2979/RAL.2008.39.2.15

Hodges, Hugh. “Writing Biafra: Adichie, Emecheta and the Dilemmas of Biafran War Fiction.” Postcolonial Text 5.1 (2009): 1-13. Trent University. Web. 9 October, 2013. 01:18. <http://postcolonial.org/index.php/pct/article/viewFile/898/917>.

Mullaney, Julie. Post Colonial Literature in Context. New York: Continuum International Publishing Group, 2010. Print.

Roshan KM. 2014. Contextualizing Power Politics of Tamasha Art and Female Suffering in Dalit Autobiography Asian Journal of Humanity, Art and Literature, 1, 77-83.

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Published

2015-06-30

Issue

Vol. 2 No. 1 (2015): January - June Issue

Section

Peer-reviewed Article

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How to Cite

Morve , R. K. . (2015). Representation of History in Chimamanda Ngozi Adichie’s Half of a Yellow Sun (2006. Asian Journal of Humanity, Art and Literature, 2(1), 23-28. https://doi.org/10.18034/ajhal.v2i1.291